Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts

Tuesday, November 1, 2022

African Tour:
Pretoria

Pretoria is right next to Johannesburg, so there were no flights or sitting around airports all day. The charter bus took less than an hour. We only did two shows, so there was no hotel. We left our Johannesburg hotel in the morning, drove to Pretoria, had a quick rehearsal, did the first show, took a break, did the second show, and took the bus back to the hotel.

State Theatre

Our very temporary home base in Pretoria was the State Theatre, billed as the largest theater in Africa. It did not seem all that big to us, but we quickly found more than a few places that claimed to be the largest of their kind on the entire continent. My impression was that it is similar to every Ray's in New York that claims to be the original. The theater had a decent stage and sound system, and more importantly, ample restrooms backstage, so it worked for us.

Union Building

With limited time between shows, we never strayed far from the central business district. We did some eating, too much shopping, and went to the Union Building Gardens, a hillside park outside the president's house. You cannot actually go inside the Union Buildings because it is the president's house. The park is nice, and since it sits on one of the tallest hills in the city, there was a nice breeze rolling downhill. That is always a good thing between shows.

Photograph by Clayton Majona

We saw why Pretoria is known as the Jacaranda City. Several streets were lined with Jacaranda trees in full bloom. We also saw why some of the locals see them as a nuisance. When thousands of people walk over the fallen flowers, they create a sticky stain that must be a pain in the ass to clean.

Thursday, December 2, 2021

International Thanksgiving Birthday

Beauty of the Purest Sense



We were back in Kaohsiung before Thanksgiving Thursday. This was our second Thanksgiving in Taiwan, and as usual, we did nothing Thanksgivingish. On Friday, Lily and I saw Chen Hsin Yi's Ten Lines of Poetry to NK at Weiwuying. A multimedia performance, Ten Lines of Poetry to NK is based on the poetry of Chiang Tzu Te and combines the Neo-Classical Chamber Ensemble playing a score by Fang Szu Yu and Yang Chien Ru, choreography by Zhang Ya Ting, and a film by Zhao Chien Ming. There were shows on both Thursday and Friday, so we could have seen them on Thanksgiving, but I got tickets for Friday.

Friday night's dancers were, in order of who has the better agents, Zhang Hsin Yu, Huang Ya Mei, Chiang Chieh Hsi, Hsueh Yu Hsi, Shih Min Szu, Kao Hsin Yu, Su Wan Chu, Tseng Ting Kai, and Wong Tsan Kai.

The Neo-Classical Chamber Ensemble was conducted by Chen Hsin Yi, with Huang Hsin Pi on piano, Tsai Keng Ming and Huang Huan Wei on violin, Wong Yin Jin on viola, Hsiung Jui Hsien on cello, and Chen Yang on percussion.

Ten Lines of Poetry to NK
Act 1: Beauty of the Purest Sense
Act 2: An Autumn Without Lust
Act 3: The Flags of Pretension
Act 4: The Mandates of Mazu
Act 5: The Boiling City
Act 6: Beauty of the Purest Sense II

Saturday, February 9, 2019

A Tale of Two Teachers

It was the best of classes, it was the worst of classes. It was the age of wisdom, it was the age of foolishness.

I started teaching ballet to little girls last March. It has almost been a full year. That is pretty amazing. To me, at least. When I took the job, I assumed I would do it for a month, maybe two. It was something temporary to put a few dollars in my pocket.

Before this, I had absolutely no teaching experience. I am also not a ballerina. There are a million reasons I was never qualified to do this job, but here is the big secret that everyone in Hong Kong, and probably most of China, already knows: none of the after school teachers around here are qualified to teach. The qualified teachers teach in the actual schools. Those of us in cram schools or buxiban or tutorial schools, whatever you want to call them, are simply foreigners who are young enough and look right for the job.

My sister, Lily, has been teaching English at a cram school for almost three years. For a real teacher in a real school, three years would still be a rookie. Lily has been at her school longer than any of the other foreigners. That is because in the cram school business, foreigners come and go quickly. You would think schools would not want to hire foreigners since they are not steady employees and require work visas and a ridiculous amount of government paperwork, but schools want white faces because that is what the parents want. In the case of English, the assumption among parents is that someone who was born and raised in English will know it better than someone who learned it as a foreign language. Clearly, these parents have not been reading Facebook. The irony is that Lily, and every other foreign teacher, is not actually teaching their children English. The purpose of a cram school is to help students pass tests. It has nothing to do with actually learning how to speak, read and write English. Parents know this and don't care. Some students take English classes at their regular schools. This is where they are supposed to learn the language, even though almost all of their teachers in their real schools were born and raised in China and learned English from Chinese teachers.

My teaching job is less complicated. My students have no regular ballet teachers at their regular schools. I am not helping them cram for any tests. I teach what is essentially a hobby to children who have the spare time. That might sound like I have no job stability, but this is a rabidly competitive culture. Any parent whose niece or friend's daughter just won a ribbon at some dance competition is going to want their daughter to take dance classes. Because, obviously, their child would be so much better at it.

This brings up a question I get from time to time. Why are only girls allowed to take ballet lessons? They are not. This rule does not exist. Boys are more than welcome, but they never sign up. In almost a year, I have never had a single boy walk through the doors. Why is that? I don't know. Machismo, video games, peer pressure, lack of interest. At this young age, it could simply be a case of too many icky girls in the class. I might be better off with just girl students.

Lily teaches boys and girls of all ages, from first graders who write the letter R as if it were V, to seniors in high school stressing out over college admissions. Since her students come in for a specific test or a series of tests, they come and go almost as quickly as the foreign teachers. Some stick around since there will always be more tests in the near future, but most are temporary. She can't count how many students she has had in almost three years, but she can tell you that the troublemaker in each class is almost always a boy. At every age range, except high school, the girls are better behaved and more respectful of their teachers and fellow students. By high school, any student that still takes extra classes after school probably wants to learn. Or at least wants to do well enough to go to a decent college. Fifth grade boys would rather play with insects.

All of my students want to learn and please their teacher. At least until they drop out. When it comes to ballet, students give up quickly. That's a shame, but there are plenty of new students waiting in the wings. My school actually has a waiting list, so when someone drops out, their place is immediately filled. As long as the demand is there, I will have job security, even though I take a lot of time off for other jobs. It would be difficult for my school to find a young, white, female dancer with teaching experience who speaks Chinese and does not need a work visa to replace me. Somehow, I became their ideal.

Lily is easier to replace at her school. There are plenty of younger, white females coming off the boat every day. Her job requires no knowledge of Chinese. In fact, some schools want the teachers to only speak English. She needs a visa, which is actually in her favor. Getting a new visa for a new employee is always a hassle. Especially if they leave the country in a few months. Renewing a visa for someone who has already been government approved is infinitely easier. Schools want experience more than they used to. Her almost three years is better than the zero experience all the new arrivals have. Her school also expects her to work more than four hours a day. For too many foreigners, that is too much. Cram schools can spot the slacker foreigners a mile away. If you are only here to party, you will not last. Cram schools are big business. They are far more interested in how much money they can make than in how drunk foreigners can get.

One thing Lily and I have in common is the parents. Whether dancing or taking a test, every parent knows that their little angel is the best student in the history of the universe. Every little girl who does not know her left foot from her right is more graceful than a swan. Every little boy who eats chalk and thinks English words are written vertically is a genius. In fact, everyone's child is a magical genius. It is kind of remarkable that every single parent has a genius child with incomparable talent. The worst aspect of any teaching job around here is never the students or even all the government bureaucracy. Any teacher I have ever spoken with would agree that it is the parents. My solace is that, without any boys in any of my classes, I do not have to deal with little emperors. Just like the United States, China favors boys over girls. The difference is that a son is always his parents' favorite, regardless of birth order. A son with no brothers will be the sole inheritor of whatever his parents have, even if he has older sisters. This helps turn spoiled little boys into entitled young men.

Most cram schools don't let parents sit in the classroom, but for some reason, parents were used to sitting in on dance classes before I got here. I had to put a stop to that. The parents were too disruptive, especially since every one of them knew that their child was a great ballerina and I was making them learn the fundamentals. Even worse, I was not focusing only on their little angel. It was as if there were other students in the class.

The last straw was the parent who told me, in front of my students, that I was wrong and that she knew better. Just looking at the way she sat and stood, I knew she had no dance training whatsoever. I told her that if she could do a single pirouette, I would let her take over the class right then and there. She had plenty of excuses, of course. She was not dressed to dance, she had not warmed up, her schedule was too busy. Even some of the students rolled their eyes. A pirouette does not require pointe shoes or a leotard. If you can do one, you can do one in practically anything. Warming up is always a good idea, but far from required for a single pirouette. And if she had enough time to sit in on the class, and interrupt it, she had more than enough time to do one simple turn. I had another student, whom the parent considered inferior to her daughter, do a basic pirouette as I had taught her. It was not flawless, but it was good enough to prove my point. This class was a few decades away from flawless anyway. The parent huffed and puffed when I kicked her out of my class, but, revealingly, she did not take her daughter with her. From that point on, parents had to wait somewhere else. Where they spent their time was none of my concern, as long as it was out of my classroom. I was prepared to quit over my new rule. Amazingly, the school took my side. There are benefits to a waiting list and being harder to replace.

During the Lunar New Year, every school, whether cram, dance, state or other, closes for the holiday. Before the break, Lily got a few cards and small gifts from a few of her students. She says that is standard. This is her third New Year as a teacher, so she would know. Since this was my first New Year, all I knew was when the school was going to be closed. What I did not expect were the gifts, flowers and cards from every single student. I don't know if the difference is in the type of school, that I have fewer students or that I only have girls, but I like to tell Lily it is because my students like me more. Since we have no written tests, maybe they do.

Wednesday, December 12, 2018

Back in the Zadel

After a year of working on the sidelines, I am now partially employed in my chosen profession. I have been teaching ballet to little girls since March, but now I am finally back on stage. It is only a part-time job and 6,000 miles from home, but it's a lot better than nothing.

Before I went to Barcelona, I considered that they might offer me a more permanent job. It was certainly never guaranteed, but stranger things have happened. Instead, I was asked by a visiting choreographer to audition for a company he worked with in Amsterdam. I went to Amsterdam on vacation a few years ago. It is a great city, but nowhere near Barcelona. Fortunately, KLM has several flights every day. Unfortunately, I would have to pay for it. Once you have the job, plane tickets flow like wine, usually in business class. Before you get the job, no one wants to pay for anything.

Having already flown from Hong Kong to Doha, Doha to Barcelona, Barcelona to Porto and Porto to Barcelona, a quick flight to Amsterdam was practically routine. One of the great things about Europe, at least the EU parts, is that it is easy to fly or take a train from here to there. The bad news for people who like to collect stamps in their passport is that none of the airports ever stamp anything. They put an exit stamp when I flew out of Barcelona back to Doha, since I was leaving the EU, but there are no entrance stamps anywhere. I went to five different airports and took eight flights on this trip and my passport was only stamped once.

The detour in Amsterdam meant that I would lose two free days in Barcelona. Instead of seeing the sights, I went to another country. It was far from a waste of time. The choreographer told me who to talk to. I would love to say that I gave a spectacular audition because of my natural talent and grace. The truth is, I had been working practically every day for almost two months just before the audition. When you dance with people who are better than you are, it only makes you better. Had I auditioned straight from my dormant year in Hong Kong, the outcome might have been less exciting.

Much like I did with Tel Aviv, I will be commuting back and forth between Hong Kong and Amsterdam. I will never be in Holland long enough to have any kind of residency status, just like Israel, but that usually means lower taxes. I will have to look into EU tax laws. Israel was surprisingly accommodating to foreign workers. Americans love to complain about taxes, even though we pay less than most of the world, but I am already paying in two different countries. Holland will be number three, so the less they gouge me, the better.

One of the biggest differences between Amsterdam and Tel Aviv will be the living arrangements. In Tel Aviv, they put me up at the Melody Hotel, across the street from Independence Park, which is a short cliff away from the beach and Mediterranean Sea. This was a charming little boutique hotel with bicycles that I rode to work and the best hotel breakfast I have ever had anywhere in the world. I'm sure there are plenty of nice hotels in Tel Aviv, but this one will always be my first choice whenever I go back.

In Amsterdam, I am on my own. No one is putting me up in any hotels. Fortunately, there are other dancers in the same position. Finding a house to share was pretty easy. I was in Amsterdam for two days and I found a place before I left, excluding a few phone calls and emails. It is almost like a time share. When I'm there, everyone else will be somewhere else. I currently have one roommate, and will eventually have two, but I will almost always live there alone. I will probably treat it more like a hotel than a house, except there is no front desk, housekeeping, swimming pool or gym. But there is a full kitchen with everything I would ever need. It is a full-size house, but I am renting a bedroom and sharing a few common rooms. I look at it as an apartment. As an apartment, it is more than big enough for me, but it is enormous for a hotel room. Three people could easily live there at the same time.

One thing Amsterdam has in common with Tel Aviv is the bike culture. Both cities are easy to ride in, and Amsterdam takes bike riding to another level. Riding a bike to work in Tel Aviv was easy. The bike was owned by the hotel, it is a mostly flat city and it was only a two mile ride. Amsterdam is also flat, but there are no free bikes. When I started to seriously think about working in Amsterdam, I looked up bike rentals. It turns out there are a million places I can get one at a reasonable price. But then I found the house. It is less than a mile to the theater and even closer to the rehearsal space. If I don't feel like walking less than 20 minutes, there is a tram a block from the apartment that goes straight to the theater. I like the idea of riding a bike to work, but it is so close, I don't need to in Amsterdam.

I have been to Amsterdam, twice now, but I know nothing about living there. Americans can easily visit without a visa, but anyone who works there has to endure government bureaucracy. I figure the Netherlands cannot possibly have more paperwork than Israel or, the emperor of bureaucracy, China. If I can successfully navigate China's labyrinth, any other country should be easy.

The hardest part about working in another country is usually finding a place to live. It only took a few weeks to find my first apartment in Hong Kong, but we searched for three or four months to find the one we are in now. I'm told that it is pretty hard to find a place in Amsterdam. Obviously, I got lucky. My accidental timing must have been perfect. It also helps that I will not be living there full time. Roommates are easy when you are all in the apartment at different times.

I don't speak a word of Dutch. Some of it looks pretty easy. Yes is ja and no is nee. Some of it might be more challenging. Liability insurance is aansprakelijkheidsverzekering. Then again, I don't know much Hebrew either, and I was fine in Tel Aviv. And almost everyone in Amsterdam speaks English. If I were living there full time, I'm sure I would learn a lot. Since I will only be there in short spurts, and mostly working, I am worried that I will not learn anything. I worked in Israel for a year, but I know precious few words and phrases and can't read any of it. At least Dutch uses a recognizable alphabet.

I miss going to Tel Aviv. The people were as friendly as can be and I ate some of the best food in the world. Amsterdammers seem pretty friendly, but it is too soon to tell. You don't really know what people are like when you go there on vacation. You have to deal with and/or cause local problems.

Amsterdonians? Those Dam people? Yet another thing to figure out.

Tuesday, August 21, 2018

Working Hard or Hardly Working

I was not finished describing my high school reunion, but something came up. I have been offered a job in Barcelona.

I don't really want to get into any details. Partly because I'm a little superstitious that if I talk about a new opportunity too much before it happens, I will somehow jinx it. Mostly because it is a lot easier to talk about something that has already happened than something that will happen in the future.

But I am free to admit how nervous I am about it. This will be my first performing job since I bumped my head in a car accident last year. I don't know if I'm ready to get back into it. I know I'm ready mentally, spiritually and philosophically. Am I ready physically? I honestly have no idea. I exercise every day, rain or shine. I run and walk around Hong Kong. I rode a bike and went swimming in Minnesota. I climbed a mountain in Miyajima. I have been doing plenty of heavy training for the last six months.

But I get exhausted during my morning runs. I used to run around, go home and start my day. Now I run around, go home and take a nap. The bike ride in Minnesota was one afternoon, and there was a child with us. It was more of a leisurely stroll through the park than a workout. The swimming was in a small pool, sometimes with other people. The mountain on Miyajima was mostly a hike over rocks. The cable cars did most of the heavy lifting.

The benefit to taking the Barcelona job is that it is great practice to see if I'm ready. No one likes it when you tell them their job is just a rehearsal to you, so maybe I should not mention that part. But this is not Facebook. Blog posts do not go viral. Another benefit is the free trip to Barcelona. That was never high on my list of places to visit, and I know almost nothing about the city, but I hear it is nice.

If all goes well, I can go back to work in Hong Kong when I return from Barcelona. If it turns out to be a spectacular failure, then I know I still need to push harder before I'm ready. I have nothing to lose, other than my reputation in Spain. But it's not like I ever had a reputation there anyway.

I should probably look up some Spanish phrases. I don't know much beyond, “Hola, yo me llamo Hailey. Yo no comprendo.”

Sunday, March 18, 2018

Bras Bas

After six months off, I finally went back to work. My brain was ready a long time ago, but my body is still not ready to dance again. I'm working on it, but in the meantime, I needed a job. Since those who can't do, teach, I'm now teaching ballet to children.

There has been a surge in dance schools over the last few years. I don't know why. Someone told me it was because of that Black Swan movie, but that was not much of a hit here, and I doubt it would have inspired very many children anyway. There was also that Ballerina cartoon last year, but I don't even know if that played in China. If it's not Disney or DreamWorks, don't expect to see it on screen.

I was offered a teaching job a few years ago, but I was busy at the time. And that was for adults. I don't really like the idea of teaching an adult class. Adults are not as serious, they miss more classes and it is more of a hobby than something they have a deep, internal drive to do.

Children are just better students, in general. They are used to being students all day, so whatever classes they take after school are just more of the same. Adults have to shift their focus and that can be hard to do when you are set in your old routine.

For the most part, children show up for every class. They usually don't have any choice. Their parents make them go, whether the children want to take the class or not. Adults can skip a class whenever they want, often for no reason at all. They simply don't feel like going. Children almost never have that luxury.

I also prefer students who take it seriously. I'm sure every teacher does, and I'm just as sure that I will lighten up after a while, but I would much rather have a student who wants to be the next great dancer than someone who is just killing time before their favorite TV show starts. If you want to be the best dancer the world has ever known, you have to start exceptionally young. Most students will never become great, and I'm not good enough to teach the best, but it is a million times easier to teach someone who has a burning desire to learn than someone who could not care less.

When it comes to ballet, most students will drop out. That is the way it is and that is the way it should be. Ballet is not for everyone. It is hard work in the beginning and even harder when you start to understand what you are doing. Even if you love it, you might not be right for the part. I wanted to be a ballerina when I was younger. I took as many classes as I could and I busted my butt, and more than a few toes. I had that burning desire. I was simply not good enough to be the principal or even the coryphée. At most, on my best day, I could join the corps.

Fortunately, there are other forms of dance. One of my first ballet teachers suggested I study lyrical and/or jazz. I can't be sure, but I suspect she knew I was never going to be a ballerina, but thought I had some potential somewhere. I was only a child, but in a lot of ways, she saved my career. I hope I can do the same for some of my students some day. I would be surprised if any of them become ballerinas in the distant future, but maybe one or two might become professional dancers. Even if they are terrible, I don't want to be the one who dashes their dreams. In life, there are always plenty of people waiting in the wings to do that.

Tuesday, July 12, 2016

Tel Aviv Audition part 2

I went to Tel Aviv for an audition last week. It went very well. Afterward, I had one of the best interviews of my life. We all got along like old friends. We all wanted the same thing, so it was like having a quick visit before everyone had to go somewhere else. I'm now a visiting performer at the Suzanne Dellal Center. That appeals to me for a variety of reasons.

Suzanne Dellal is the leading non-ballet dance institution in Israel. They have not only the premier venue in the country, but also most of the leading dance companies and what is probably the best academy. They are also Mikhail Baryshnikov's favorite dance center in Israel. That's nothing to sneeze at. He knows a thing or two about dance.

The bad news is that I will not be performing in anything right away. Everything is fully booked. But I will not have to wait until next season since this is a full year operation rather than one of those seasonal centers. When you join a ballet company, you have to get in at the right time since they don't perform year round.

The good news is that I will not be performing in anything right away. I have a day job. Getting a few days off is one thing, but taking a month off right after I took a month off is pushing it. It is also summer. Tel Aviv is only going to get hotter before it cools off. I would like to see the different seasons, but I don't mind if I can avoid August.

Thursday, June 30, 2016

Tel Aviv Audition

I went to Tel Aviv last month. I was only there for a few days, but I met some people and we did some talking. Now I have an audition next week.

I'm not moving to Tel Aviv. That is not likely to ever happen. I am not even leaving Hong Kong. I'm sure that will happen some day, but not today. If all goes well at this audition, I will go to Tel Aviv from time to time for specific performances. This is not a full time gig. It's more like serving in the National Guard. They will call me up when they want to.

Since this is not any kind of regular job, it will not pay particularly well. I'm kind of amazed they are even willing to pay anything at all. But I'm not doing it for the money. I'm in it for the experience. If you are a performer and someone wants you to perform on the other side of the world in a country you don't understand, you take it. I have to assume it will be very educational. It also does not hurt the CV.

In any event, it's too soon to make any plans. I have not even auditioned yet. I like to be optimistic, but I could always blow it and none of this will matter.

Friday, May 20, 2016

On Set 0630

We are shooting my big dance scene today. This is the most important scene for my character and the most important scene for me since I was only hired because I am a dancer.

This is not a big scene overall. It is important for my character, but means nothing to almost everyone else. It will probably be on screen no more than five minutes. But this scene is mine.

I might be a little nervous, but it should not be too hard to shoot. We have rehearsed everything and every shot has been blocked and choreographed. From a dancing point of view, it should be easy.

Monday, May 16, 2011

Celebration in the Air




I finally get to be Belle. I’ve mostly been singing and dancing background, but now I get to be the star. Once a week, at least.

Disney’s doing all kinds of new things for the big “Celebration in the Air” anniversary. One of those is the introduction of Tinker Bell. Every night Sleeping Beauty Castle becomes Tinker Bell’s Castle. They put a bunch of lights on it and make it look like it’s covered in fairy dust. It’s really pretty impressive. My friend, Lily, gets to be one of the Tinker Bells.

Saturday, February 26, 2011

Celebration in the Air

I’ve been dancing my butt off! Thank Baryshnikov I love to dance. They’ve got us working like crazy. This is the park’s 5th anniversary and they’ve got tons of great stuff planned. There will be all kinds of shows & parades that they’ve never done before and I’ll be in some of them. The theme is “Celebration in the Air”. I’m pretty lucky to have come here when I did. This year should be a total blast.

Thursday, February 10, 2011

First Rehearsals

We started rehearsals today. I’ve done a lot of musical theater, so I’m used to singing & dancing at the same time, but this was grueling. I’ve never done so much work in one day. I probably have, but this seems rougher in the moment.

I met most of the people I’ll be performing with. There seem to be more people from Australia than anywhere else. I guess that makes sense since it’s the closest English speaking country. Americans mostly go to Florida & California. British people can always go to France, I guess. You know how much those two countries love each other.

All the singers and face characters have to know English. I was surprised by how few performers were Chinese. I just assumed I’d be performing with mostly Chinese people. This is Hong Kong, after all.

It seems like everyone is friendly, but I really didn’t get a change to get to know anybody. We were just so busy. My legs are pounding from all that work. I love it!

Monday, February 7, 2011

First Day at Disney

Today was the first day of orientation. I work at Disneyland! How cool is that? I think it’s pretty cool.

They covered all the details about working in a foreign country and doing everything the Disney way. I’m so glad they did because I had a lot of questions. Today was exceptionally informative. They spoke in detail about visas, but it seems like most of the other foreigners are Australian, so the rules for them are not the same as the rules for me. They went over benefits like medical & dental, discounts and all that. They talked about the volunteer program they have which is called Disney VoluntEARS. The name sounds hokey, but they do good things for poor children in the area, so I’m jazzed about that. They also have all kinds of Disney names for everything. I’m not an employee, I’m a Cast Member. That has nothing to do with being on stage. Everybody’s a Cast Member at Disneyland, whether you perform in a show or scoop ice cream.

I start rehearsals Thursday. Orientation was for everyone, so they didn’t cover any of the specifics about what shows I’ll be doing and what characters I’ll play. That comes after we start rehearsals and the musical director makes all his decisions.

I hope I get Belle.

Wednesday, January 19, 2011

Exercising

Just taking a quick break after a long day of dancing, exercising, cleaning the apartment and making love.

Right now I’m:

Positive
Strong
Comforted
Lucky
Affectionate
Daring

Thursday, January 13, 2011

Exercise

When I finally get to Hong Kong I’ll be singing & dancing a lot, but I’m kind of out of shape. I haven’t sung onstage in a while and I haven’t really danced since my last Disney audition. So as of yesterday I’m going to start exercising more. My goal is to work out my muscles every day. Hopefully by the time I start working, I’ll be completely ready to go.

There’s an acting exercise where you say how you feel rather than act it out. Right now I’m:

Enthusiastic
Tired
Determined
Hopeful
Eager
Anxious
Excited