Paul McCartney One On One

The last time I saw Paul McCartney in concert was in Kansas City (Hey, Hey, Hey, Hey). We were both younger in those days.

The first time I saw him was in St Paul. I was in high school and he was single. Oddly enough, we never went backstage together. I suppose, in hindsight, that is a good thing. I would have considered that creepy and the press would have noticed Paul McCartney with a high school student. I'm pretty sure that is not his style anyway. His soulmate was an older woman.

Now that I'm too old to pay $300 for a concert ticket, and Paul is far older than anyone ever expected of a rock star back when he started, this could very easily be the last time I see him perform. He can't do three hour shows much longer, and I can't rationalize the high ticket prices. That and his refusal to acknowledge any country in Asia besides Japan. I live in the single most populated country in the world, by a long shot, and I have to fly to another, far smaller country to see him.

The opening to Thursday's show at the Tokyo Dome was a little strange, with his Hofner bass on the video screens like it was a golden idol, with fireworks exploding behind it. I have never seen anything like that in a concert before. While the audience was cheering, Paul and band casually strolled on stage. It looked more like the end of a concert than the beginning. Then they played “A Hard Day's Night” and the crowd went wild. The light show on screen reminded me of 2001: A Space Odyssey. I doubt it was supposed to.

“Junior's Farm” was the less political, radio-friendly version. Although, right now might not be the best time to sing about jumping the fence at the houses of Parliament. They showed clips of A Hard Day's Night and various Beatles footage during “Can't Buy Me Love”. We all knew it was going to be a nostalgic night, with mostly songs from the '60s and '70s. “Letting Go” was a little disappointing. Not because of anything the band did or did not do, but because nothing can compare with the Wings Over America version.

“Temporary Secretary” was also a little disappointing. Despite using keyboards for all of the string and horn parts on other songs, which is just criminal, the keyboards for the synthesizer part in this song sounded wrong. “Temporary Secretary” is essentially an electronic song. The keyboards should be easy. “Let Me Roll It” was one of the rare times Paul picked up an electric guitar. “Let Me Roll It”, “I've Got a Feeling” and “The End”. Most of the night, he was on acoustic guitar and Hofner bass. He actually played lead guitar on “I've Got a Feeling”, with a solo in the coda. He also played an acoustic guitar solo during “In Spite Of All the Danger”. It seems kind of odd to me that he does not give himself lead parts more often.

People like to complain about Paul's voice, especially during songs like “Maybe I'm Amazed”, which requires a combination of screaming and soft ballad. I'm sure that is hard to sing in your 70s. And maybe he should not sing it right after screaming at the end of “Nineteen Hundred and Eighty Five”. But he did not sound particularly bad Thursday night. He just did not sound 28 anymore.

He tried to speak Japanese before “In Spite Of All the Danger”. He had a script on the floor, which he stared at the entire time, but it was still pretty bad. He obviously does not speak a word of Japanese. The audience loved it, though. Japan is one of those countries where people appreciate the effort, even if you butcher their language. No one in Japan will ever yell at you to “learn Japanese or get out” or “go back to Mexico”.

“You Won't See Me” was interesting. He did a little acoustic intro that most of the audience did not recognize until he started singing the lyrics. The audience sang along with “And I Love Her”. I was looking at one of the video screens when he did his little booty shake, so I got to watch his 50 foot tall butt dance to the song.

The saxophone solo on “Lady Madonna” freaked me out. I was looking around the stage, but I could not see anyone with a saxophone. Then I realized that Wix was playing it. That was disappointing. They might as well use drum machines instead of real drums. I bet Paul could afford to hire real musicians. One of the reasons Wings Over America is so great is because the keyboards play the keyboard parts.

Just before playing “FourFiveSeconds”, he introduced the song with, “We played the oldest song and now we're going to play the newest song.” But the song he played right before was “Lady Madonna”. Hardly the oldest song he played that night. He played a lot of Beatles songs. Half the concert was Beatles songs. And most of them are older than “Lady Madonna”. What surprised me was that five people cheered when he started to play the “FourFiveSeconds” guitar intro. What really surprised me was that he played that song at all. The lyrics were on the giant screen behind the stage, but they were in English, so I don't think as many people sang along as he expected. The funniest part was when they showed a picture of Kanye on screen and some of the audience booed. I don't know what Kanye did to offend the Japanese, but his fans were not in the audience that night.

Before he introduced “Being For the Benefit of Mr Kite”, he led the audience in a little sing along, during which he gave a dirty little giggle that really surprised me. I have never heard him laugh like that. While introducing “Ob-La-Di, Ob-La-Da”, he spoke a little Japanese. There were subtitles at the bottom of the video screens, so everyone understood him, but I got the impression that he thought everyone understood his bad Japanese. After the audience cheered, from reading the subtitles, he said it again, only much worse. And not a single person in the stadium cared.

Some people ask why Paul still tours at his age. There was a brief moment during “Band On the Run” where he leaned against Rusty Anderson and smiled before bouncing up and down. The look of pure joy on his face answered that question.

The first “Live and Let Die” explosion scared the hell out of the woman standing next to me. She had never seen Paul in concert, and did not seem all that familiar with the song, so it was a complete surprise to her. She also thought the stage was on fire, with all of the lights and lasers, and actual fire, but the people she came with reassured her that we would all survive. It might not have helped that the video screen directly above the stage showed nothing but fire. I suppose it would have looked like something went terribly wrong if it was any other song. The audience laughed when Paul pretended to go deaf from all the pyrotechnics, but it was pretty loud. At his age, he might want to rethink that.

The only time his voice really sounded like he was an old man was during “Hey Jude”. He struggled here and there throughout the concert, but it looked like he was having a hard time breathing during “Hey Jude”. With his mussed up hair and a spotlight right in his face, I almost thought I was going to witness a heart attack on stage. He caught his breath as the song went on, though. By the na na nas, he was good to go. Of course, he mostly lets the audience sing that part.

When he started playing “Yesterday”, the audience wanted to cheer, but everyone knew they had to be quiet if they wanted to hear the song. That was one of those times I knew I was in Japan. “Hi Hi Hi” was funny, simply because he was playing it in Tokyo. The greatest revenge is selling out a stadium concert while the politicians who wanted to ban you are long gone. The crowd went nuts during Abe's short “The End” drum solo. And then it was over. The confetti and smoke when Paul left the stage was pretty weird.

I can't say it was the best concert I have ever seen, or even the best Paul McCartney concert I have ever seen, but it was probably the last time I will see him. He is never coming to China, and going to Japan for a concert is absurd. Maybe if I happen to be somewhere at the same time he has a concert, I will see him. If it is not sold out long before I get there.

Tokyo To Tel Aviv

I flew to Tokyo yesterday and then I'm going to Tel Aviv. The Tel Aviv trip should be standard, but the Tokyo is unusual, for a few reasons.

I have been to Tokyo, always flying in to Narita Airport. That is the main international airport with most of the flights, but it is pretty far from Tokyo. They have some fast trains to get into the city, but it would be better to actually land in the city itself.

This time, I went to Haneda Airport. It is at the southern tip of the city, but at least it is actually within the city limits. The most expensive express train from Narita takes about an hour to get into the city. The cheaper trains are about 90 minutes. From Haneda, I got to my hotel in less than 30 minutes. Japanese trains run on time, so when they tell you how long they are supposed to take, that is how long they take.

Another unusual aspect to this Tokyo trip is the hotel. I usually stay in Shibuya. I like the neighborhood and it has everything I need without having to crowd onto the JR. This time, I'm in the Ichibancho neighborhood of Chiyoda. I don't know this neighborhood at all, so it should be interesting. My first impression is that it is very quiet. This is definitely not Shibuya.

Easily the most unusual aspect of this trip to Tokyo will be the Paul McCartney concert today at the Tokyo Dome. That is something I have never done before. I have seen Paul in the United States, but never in Asia. And if you want to see Paul in Asia, you have to go to Japan. He does not seem to know that China exists.

Hailey's Novel Diary – 4/25/17

I spent a good chunk of the day reading about Charlie Chaplin and Edna Purviance. Unlike Mary and Molly Bell, there is a ton of information about Edna Purviance out there. But this book is not about her either, and I was well aware of her existence long before I started, so I think I'm satisfied with what I have.

Also completely unrelated to this story, when I was much younger and I thought I might become a famous movie star one day, I thought about thanking Edna Purviance in my first Oscar acceptance speech. Now that I'm a little older and doing absolutely nothing to become a famous movie star, I still think it would be cool if some modern star named her as an influence. Her contribution to acting in film, especially comedy, does not deserve to be as forgotten as it has.

When you are acting next to Charlie Chaplin, you are never going to be the star of the scene. He was the biggest star in the world for a reason. He could even take the focus away from children and animals. But Edna was incredible. Had she gained famed with anyone else, she might be remembered today.

Edna Purviance

Shoulder Arms
Directed by Charles Chaplin
© 1918 Charles Chaplin

The Bond
Directed by Charles Chaplin
© 1918 Charles Chaplin

Hailey's Novel Diary – 4/23/17

I have started writing one of the main characters. She is the first one to use the clever and/or stupid naming system that I think I mentioned earlier. It is not a name I would have used otherwise, so maybe this is a good idea. I find it important to get out of my comfort zone as often as possible.

This story takes place in the United States, so using words in the native language that describe the character is not going to work this time. That is what I did with the French characters in Shooting For Paris and the Israeli characters in Harmony On Spring Hill. The French is not as obvious, but I'm almost hoping that no one who speaks Hebrew or Arabic reads the other one. Clearly, I don't know Hebrew.

Hailey's Novel Diary – 4/20/17

I just finished chapter 2. Once again, finished does not mean finished. In fact, it's pretty short. There is no way to know how it will end up at this point, but it will either get longer or, more likely, get absorbed into chapters 1 or 3. I think it might want to be part of chapter 1.

Hailey's Novel Diary – 4/19/17

I wrote a scene about one of the main characters doing a photo shoot as a model. The whole time I was typing, I kept telling myself that I had already covered that subject. But I can't change it to something else. It has to be a photo shoot. I have looked at it from a few angles and the only options I see right now are to keep it as is or cut it out entirely. If I cut it, I need to find a way to introduce the character that gets introduced at the photo shoot. And I would have to change who he is and how he moves the story forward.

I've said it before and I'll say it again, I guess I will just have to repeat myself.

Hailey's Novel Diary – 4/18/17

I have considered making this book take place in the recent past. For now, no time period is mentioned, but I'm thinking it might be just before 2000. I would never come out and say when it is. I would causally mention the Braves winning the World Series or that new movie about the Titanic.

That leads to a few interesting dilemmas. I know that today, in 2017, high school seniors go to professional photographers to have their senior pictures taken for the school yearbook. They are usually very individual and look nothing like the junior and sophomore pictures. Some schools give students a wide berth. Some schools are more strict.

But did they do that in Southern California in the late 1990s? Or were they still using the old system where seniors had general portraits taken just like everyone else? I don't know. They say Google knows everything, but Google does not seem to know, either.

Amy Adams

Alec Baldwin

Larry David

Zooey Deschanel

Morgan Freeman

Zach Galifianakis

Katharine Hepburn

Robin Williams

Hailey's Novel Diary – 4/17/17

What I know about tattoos could fill a postage stamp. I don't care what anyone else does with their body, but I have always considered the idea of a tattoo crazy. It's like picking out a necklace, but you have to wear that necklace every day for the rest of your life. The style you like now might look ugly and terribly outdated in a few years. The only way to take it off is with painful lasers or piling on more tattoo ink.

What I really don't understand are tattoos on your back or some place that you can never see. I guess it would be good to not have that constant reminder, but then what is the point?

There is no way to talk about this without some tattoo fan getting morally outraged, so I will repeat that I don't care what anyone else does with their body. If you like tattoos, great. Go nuts.

Right now, the big trend is getting phrases stabbed into your arm or abdomen or wherever. That seems even worse than a flower to me. A sentence that you might find inspirational, deep, funny or clever might sound stupid at a later point in your life. Or you will see the same sentence on a million other people and it will not seem so edgy or creative anymore. Or you will simply get tired of reading it every single day.

The tattoos I like are when people get Chinese characters without being able to read a word of Chinese. I actually saw someone with “stupid foreigner” tattooed on their arm. I don't know what they were told it meant, but I doubt they knew the truth.

A few of the characters in this book have tattoos. It makes sense that they would. It's a hip trend these days. But writing about getting a tattoo does not work when the author knows nothing about getting a tattoo. Watching Popeye cartoons does not help.

Looking at a million pictures of tattoos, it's clear to me that some of this “art” really is art. Some of these people who tear ink into other people's flesh really know what they are doing. Like anything else, I'm sure it takes a lot of practice to do well. But if it is art, why put it over your butt? How often are you going to look at that?

"prostitute"

Hailey's Novel Diary – 4/14/17

And then I cut out the scene about the Brady Bunch. It does nothing to help the story and was only distracting when I read it through.

Bye bye, Brady.

Hailey's Novel Diary – 4/13/17

Today I wrote about the Brady Bunch. That was an odd experience. I'm familiar with the show from a pop culture perspective, but I don't think I have actually seen a single episode.